{"id":5468,"date":"2018-02-05T16:09:52","date_gmt":"2018-02-06T00:09:52","guid":{"rendered":"https:\/\/ten100tv.com\/?p=5468"},"modified":"2018-02-06T11:08:09","modified_gmt":"2018-02-06T19:08:09","slug":"an-awesome-manifesto","status":"publish","type":"post","link":"https:\/\/ten100tv.com\/?p=5468","title":{"rendered":"An Awesome Manifesto"},"content":{"rendered":"

lf NBC is committed to\u00a0working with a familiar face, I understand. \u00a0However, I will say a show about innovation would do well to look and feel different. \u00a0The case for considering me is that while I\u2019m a bit outside the box, the subject matter and the needs of your show sit squarely in my wheelhouse. \u00a0If they want new blood to add value in unexpected ways, I can deliver. \u00a0If you are so inclined, I’ve included the following relevant past work for your consideration (I\u2019ve tried to make these clips bite-sized out of consideration for your busy workload)\u2026<\/span><\/h4>\n

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YEAR OF THE SCAB<\/span><\/u><\/span><\/a><\/span><\/h2>\n

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The structure of this film runs on two concurrent tracks. One is the linear\u00a0chronology of past events as they played out in 1987. \u00a0The other is represented by home follows to see where life has left these guys. \u00a0 Each of these home follows are placed at pressure points in the larger chronological narrative. \u00a0In the context of historical narrative, they work like little\u00a0pockets of empathy<\/i><\/b><\/span>\u00a0– illustrating why we should care about these guys. \u00a0On a\u00a0fundamental level, your show will need the same. \u00a0Without that, nothing much matters. \u00a0This trailer contains bits of several home-follows and gives you a taste of how they are leveraged to powerful effect.<\/span><\/h4>\n

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